By Carl Unegbu and Ron Simon
These crazy times have demanded a new brand of comedy. With the news more insane than any joke a comedian can devise, this new comedy has partnered with journalism. Once facts were facts and jokes were jokes. But the two have merged with comedians now wanting to change hearts and minds and not just release a guffaw. This is comedy with a Pulitzer purpose, as the New York Times recently noticed. Funny is no longer funny, as Sid Caesar would say. Funny now investigates and persuades, with the hopes of knowing laughter too.
Comedy interacts with Journalism. Murrow meets Mirth. It has been developing over twenty years, but has reached its apex with Last Week Tonight with John Oliver. We like to call this new humor, muckraking comedy. Back at the turn of the twentieth century citizens were prompted to act because of so-called muckraking reporters, who scoured the filth to discover the truth for its readers. Our leading comedians now get dirty with the transgressions of politics and culture to bring some type of cleansing illumination to its audience. Laughter is the first step of the way to action and enlightenment. You might remember Upton Sinclair from school; his novels prompted legislation in Congress. Now you can see an electronic version of The Jungle nightly with such comedy muckrakers Trevor Noah and Stephen Colbert.
Political Jokes Then and Now
Yes, there have political jokesters like Bob Hope and Johnny Carson. But they just wanted to release tension and basically affirm the status quo. Take this classic joke by Hope in the sixties: “President Kennedy is just winding up a nonpolitical tour of the 11 states he lost in the last election. He wanted to see how they’re getting along without federal aid.” Kennedy could be any politician. Funny to all sides, but ultimately harmless.
Oliver wants more. He posits: “Is anything about Trump funny anymore? I don’t know. Somehow the world’s most objectively laughable human has become a comedy graveyard where laughter goes to die.” Oliver recognizes that good old-fashioned inclusive humor is now hopelessly dead. The comic arrows must now be laced with some sort of poison. The world and its leaders are muck and your mission after the laughter is to change it.
Creating Muckraking Comedy
Well, this new muckraking comedy has transformed the process of creating jokes. If you are going to attack, you have to ensure that your jokes are as accurate and factual as anything in the New York Times. Comedy staffs now feature journalists and fact-checkers, reviewing every word to affirm it is true and factual, as well as funny. Lawyers also assiduously review punch lines to ascertain any possibility of defamation. The danger of muckraking comedy is that your targets will always be out to get you. Not to outwit you, just sue you.
Most people credit Jon Stewart as the trailblazer of this phenomenon in comedy thanks to his revolutionizing Comedy Central’ s The Daily Show. However, this new genre seems to have attained maturity at the hands of John Oliver in the weekly production of his own show HBO’s Last Week Tonight with John Oliver. Taking advantage of the weekly intervals between his shows and the absence of in-studio guests, Oliver, an alum of Daily Show and a protégé of Jon Stewart, is able to do a deep dive into an individual issue each week. Investigative reporting with savage laughs.
Oliver Takes on the Coal Industry
In this award-winning report on the coal industry, Oliver follows the journalistic principles of the muckrakers of old. He begins generally with the Trump Administration’s relationship with the coal industry. He then specially zeroes in on the safety practices of Murray Energy and the fatal collapse of the company’s mine in Utah in 2007. The piece was a smart indictment of the coal industry, worthy of Upton Sinclair, but with a large talking squirrel. His satire led to a defamation lawsuit by the company’s boss Robert Murray, which was ultimately dismissed by the court. Think how much research and comedy writing went into this piece, seamlessly intermingled.
We plan to explore ramifications of this radical muckraking comedy in future blogs. But first we want to understand the roots of the phenomenon. We had a conversation with one of its unsung heroes, Daniel Radosh. Radosh was a journalist for such publications as Spy before he became a writer for the Daily Show hosted by Jon Stewart and then Trevor Noah. Here he explains how journalism is injected into the satire, as well as the comedic differences between Stewart and Noah.
Now journalists play a very crucial role, something that Radosh considers a big legacy of Jon Stewart’s writing staff. As he puts it, “The Daily Show’s DNA” is becoming widely adopted as research and fact checking become commonplace in satirical writers’ rooms, the definition of muckraking comedy.
*This article was originally published in Medium, under Paley Matters. The co-author Ron Simon is curator of television and radio at The Paley Center for Media. Simon has been an associate adjunct professor at Columbia University and New York University, as well as a former chair of the Peabody Awards jury.
*For more interesting information about humor at large, visit Feedspot for the Top 100 Humor Blogs on the web. (https://blog.feedspot.com/humor_blogs/)
Editor’s Note: At the moment the author is seriously working hard to finish writing a new book on a rather tight deadline. So please bear with us if upcoming posts do not appear as regularly as they should during this, hopefully, quite short period. However, in the meantime, please do dig into the many other posts contained in the archives, which are readily available for your reading pleasure. Please keep reading!